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Profitability of Domestic Commercial Films Post-Pandemic -27%... Only 18% Made a Profit

From Hankyoreh · (6m ago) Korean Critical tone

Translated from Korean, summarized and contextualized by DistantNews.

TLDR

  • South Korean commercial films produced between 2023 and 2025 have an average profitability rate of -27%, with only 18% breaking even, a significant decline from pre-pandemic levels.
  • Rising production costs, including higher fees for actors and crew due to competition with OTT platforms and labor cost normalization, have excessively increased break-even points.
  • This trend has led to a concentration of investment in large-scale, proven projects, shrinking investment in mid-to-small scale films and increasing reliance on OTT platforms for pre-sales, potentially lowering the quality of films released in theaters.

The South Korean film industry is facing a critical juncture, with recent data revealing a stark decline in profitability for commercial films produced in the post-pandemic era. A report indicates that films made between 2023 and 2025 have seen an average profitability rate of a dismal -27%, with a mere 18% managing to surpass their break-even points. This stands in sharp contrast to the pre-pandemic period (2016-2019), when commercial films averaged a 10% profit and nearly 40% achieved profitability.

The primary culprit identified is the escalating cost of film production. Factors such as increased competition for talent with Over-The-Top (OTT) streaming services, the implementation of the 52-hour work week for staff, and rising costs for visual effects have driven up the average production budget per film significantly. This surge in costs has, in turn, pushed break-even points to unsustainable levels, making it increasingly difficult for films to recoup their investments solely through theatrical releases.

Consequently, the industry is witnessing a polarization in investment. Financial backers are becoming more risk-averse, channeling funds predominantly into large-budget, 'sure-fire' blockbusters. This trend sidelines mid-to-small scale films, which often explore diverse narratives and innovative storytelling. Furthermore, there's a growing dependency on OTT platforms, where films are pre-sold to secure funding and minimize risk. While this offers a financial safety net, critics argue it may lead to a decline in the quality of films destined for theatrical release, as the unique creative risks associated with cinema are increasingly mitigated by the predictable revenue streams of streaming services. This shift raises concerns about the long-term health and artistic diversity of Korean cinema.

DistantNews Editorial

Originally published by Hankyoreh in Korean. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.