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The 'Summer Retreat' of Jakob Lena Knebl: A Dancer and a Swan

The 'Summer Retreat' of Jakob Lena Knebl: A Dancer and a Swan

From Die Presse · (13m ago) German

Translated from German, summarized and contextualized by DistantNews.

TLDR

  • Artist Jakob Lena Knebl transforms the Marmorschlössl in Bad Ischl into an exhibition space exploring identity, staging, and aesthetics.
  • The exhibition "Sommerfrische" features surreal installations, including a sculpture inspired by Degas' "Little Dancer," reinterpreted by Knebl.
  • Knebl's work blends historical context with contemporary art, using diverse materials and addressing themes of identity, gender, and beauty ideals.

The Marmorschlössl, a historic retreat built for Empress Sisi in Bad Ischl, has been reimagined by artist Jakob Lena Knebl as the setting for her exhibition "Sommerfrische." This unique presentation transcends a traditional display of art; Knebl crafts an immersive experience where the historical space and contemporary artistic interventions merge, inviting visitors into a "parallel universe."

Das Haus erinnert an Mies van der Rohes Barcelona-Pavillon, obwohl es natürlich historistisch ist

— Jakob Lena KneblJakob Lena Knebl describes the Marmorschlössl, noting its architectural similarities to Mies van der Rohe's Barcelona Pavilion despite its historical style.

Knebl's approach is characterized by her ability to blend historical references with avant-garde concepts. The exhibition features a surreal installation in the Empress's grand salon, notably a more voluminous interpretation of Degas' "Little Dancer" sculpture, which Knebl connects to her own self-portraits. This juxtaposition of historical figures and modern artistic reinterpretation is a hallmark of her work, challenging viewers' perceptions and exploring themes of identity and representation.

Ich mache etwa eine Skulptur zu Degas’ Bronze von der kleinen Tänzerin. Meine wird aber etwas voluminöser geraten und auf ein Porträt von mir verweisen

— Jakob Lena KneblKnebl explains her artistic interpretation of Degas' "Little Dancer," creating a more voluminous sculpture that references her own portrait.

Known for her experimental and often humorous approach, Knebl creates "desire spaces" where art, environment, and the human body coalesce. Her use of diverse materials, from bronze to soft sculptures and digital prints, combined with a mix of traditional craftsmanship and modern production techniques, reflects her engagement with contemporary issues such as gender, body image, and beauty standards. Her aim is not to lecture but to engage sensually, using affect and sensory experience to dismantle clichés.

Die Interpretation von Degas’ Tänzerin wird voluminöser sein.

— Jakob Lena KneblKnebl elaborates on her reinterpretation of Degas' dancer sculpture.

From an Austrian perspective, this exhibition resonates deeply. It connects with the rich imperial history embodied by the Kaiservilla and its associated structures like the Marmorschlössl, while simultaneously showcasing cutting-edge contemporary art. Knebl's exploration of Empress Sisi as a "border crosser"—a figure who, despite her imperial status, advocated for refugees—adds a layer of social commentary that aligns with contemporary Austrian values. The exhibition's ability to make visitors feel "at home" and encourage contemplation highlights its success in creating a dialogue between past and present, tradition and innovation, within a uniquely Austrian context.

In Design-Diskursen sind Antiquitäten kaum präsent.

— Jakob Lena KneblKnebl comments on the underrepresentation of antiques in design discourse.
DistantNews Editorial

Originally published by Die Presse in German. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.