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Vietnamese Cinema: Strong at Home, Fading Abroad?
๐Ÿ‡ป๐Ÿ‡ณ Vietnam /Culture & Society

Vietnamese Cinema: Strong at Home, Fading Abroad?

From Tuแป•i Trแบป · (7m ago) Vietnamese Mixed tone

Translated from Vietnamese, summarized and contextualized by DistantNews.

TLDR

  • Vietnam's film market ranks second in Southeast Asia and 20th-25th globally, with significant domestic revenue growth.
  • Despite strong domestic performance, Vietnamese cinema struggles internationally, lagging behind Thailand in global reach and awards.
  • The industry prioritizes quick-return, mass-market projects, potentially hindering artistic experimentation and international competitiveness.

While the Vietnamese film industry celebrates a remarkable surge in domestic box office revenue, placing it second in Southeast Asia and within the top global ranks, a stark paradox emerges: its international presence remains notably weak. This growth, while impressive on home turf, has not translated into significant global recognition or market penetration, a situation starkly contrasted with regional counterparts like Thailand.

Thailand's cinema, for instance, has achieved considerable international acclaim, with films like "The Legend of Thai Or" (Gia tร i cแปงa ngoแบกi) not only dominating regional box offices but also securing international distribution across 129 markets and even making a shortlist for an Oscar. In contrast, the highest-grossing Vietnamese films, such as Trแบฅn Thร nh's "Mai" and "Thแป ฦกi!," primarily cater to overseas Vietnamese communities, generating modest revenues of around $1.5 to $2 million. Even "Rรฒm," a rare Vietnamese film that garnered both significant domestic success and an award at the prestigious Busan Film Festival, highlights this disparity.

The core issue appears to stem from the industry's operational model. Driven by the rapid expansion of the domestic market, producers increasingly favor projects with quick profitability and broad audience appeal, often capitalizing on prime release windows. While this strategy is understandable, especially in a post-pandemic recovery phase, it inadvertently limits the scope for artistic experimentation and the development of films with strong international market potential.

This focus on market breadth over artistic depth raises questions about the true strength of Vietnamese cinema. Is the current growth merely a reflection of a burgeoning domestic market, or does it signify a genuine leap in cinematic quality and global competitiveness? The industry's challenge lies in balancing commercial success with the cultivation of unique artistic voices that can resonate beyond national borders, establishing a lasting footprint on the global film map.

DistantNews Editorial

Originally published by Tuแป•i Trแบป in Vietnamese. Translated, summarized, and contextualized by our editorial team with added local perspective. Read our editorial standards.